700+ record labels, publishers, ad agencies and music houses, with the page each one publishes for receiving music. Most of them have no public email, just a form. Send through it and you normally learn nothing. Here you learn who listened.
Start free trial →You find a label worth pitching. There is no email address, just a form. You paste a link, write a note, press send, and that is the last you ever hear about it. Did anyone open it? Did they play one track or all six? Was it worth following up? Send the same link to twelve companies and it gets worse: twelve plays arrive and every one of them is anonymous. You cannot tell the label that listened three times from the eleven that never opened it.
Not just record labels. The people who put music into films, campaigns and catalogues are spread across five kinds of company, and most composers only ever pitch one of them: 170+ music publishers and sub-publishers, 160+ record labels from single-genre boutiques to catalogues with global distribution, 150+ advertising agencies who license music for campaigns, 140+ film, TV and content production companies, and 60+ bespoke music houses who commission writers and licence catalogue. Across 37 countries, filterable by country and type. Trailer houses are deliberately excluded.
Filter over 700 record labels, publishers, ad agencies and music houses by type and country. Each listing shows the company name, type, location, website and a short description taken from the company’s own site, plus the page it publishes for receiving music where such a page exists. Trailer houses are excluded on purpose.
Pick companies, choose one of your playlists or build a new one, and send. DropCue creates one share and a separate tracked link per company, identical except for a tag identifying who it went to. Paste that link into a company’s contact form by hand and the attribution still holds, because the link was never generic in the first place.
Plays and downloads are recorded against the company that opened them rather than lumped into one anonymous total. Six plays from one label is a conversation. Six plays from six labels is a different one, and until now you could not tell them apart.
Every company you send to becomes a card on your Pitch Pipeline. When one of them plays your music, their card moves from Pitched to Engaged on its own, so the companies worth chasing surface without you logging anything. Your links, your message and a tick per company wait under Pipeline then Sends, because twenty contact forms is not one sitting’s work.
We do not say a company is accepting demos, because a submission page can sit up for years after a label stops reading it. We do not hold personal email addresses, because scraping named individuals is how a directory becomes a privacy problem. And no tool makes anyone say yes. What changes is where you spend the next month: on the companies that played it twice rather than the ones that never opened it.