DropCue is the music pitching platform for composers and sync professionals. Share playlists with branded links, track who listened per-recipient, and follow up at the right time. Starting at $5 per month with annual billing.
Start free trial →Upload your tracks, organize them into a playlist with named sections, and share with a single branded link. No file transfers, no Dropbox folders, no confusion about which version is current. The recipient clicks the link, streams the music in the browser, and sees your brand and contact info at the top of the page.
Every shared playlist shows per-recipient analytics: who opened the link, which tracks they played, how long they listened, and whether they came back. Know exactly who to follow up with. This is the data sync pitching has been missing for two decades and the reason working composers move from email plus Dropbox to a purpose-built pitching platform.
A typical sync pitch playlist is 8 to 14 tracks organized into 2 to 4 named sections matching the supervisor brief. For a thriller film: a "Hybrid Tension" section, a "Dramatic Underscore" section, and an "Aerial / Resolution" section. Sections give the supervisor a navigable structure rather than 12 tracks in a flat list. Drag and drop to reorder. Add or remove sections as the brief shifts.
If a supervisor opened the link Tuesday, played 6 of 12 tracks, and came back Thursday to replay 2 of them, the optimal follow-up window is Thursday afternoon or Friday morning while the music is fresh. The follow-up references the specific cues they engaged with. If a supervisor has not opened the link a week later, the follow-up is shorter and lower-pressure. Analytics turn follow-up from a guessing exercise into a measurable workflow.
Most working composers do both. They use a pitching platform to send self-managed pitches to direct supervisor contacts, and they sign with sync agencies to access supervisor relationships they cannot reach directly. The pitching platform handles the catalog, the branding, the analytics, and the timestamped feedback regardless of which path a pitch takes. Agencies value composers who arrive with their music organized in a professional pitching platform because it lowers the friction of submitting that catalog to their own supervisor relationships.