EPK Builder

Build your EPK.
Track every play.

A modern electronic press kit (EPK) for musicians, composers, and bands. Drag in your tracks, add a video reel, share one branded link — and see exactly who plays what.

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7-day free trial · No credit card · Live in 15 minutes

An EPK that doubles as your pitch tool

Every other EPK builder gives you a static page. DropCue gives you a page and a tracking system — so you know which supervisors actually opened your pitch.

What is an EPK?

An EPK (electronic press kit) is a single-link digital portfolio musicians and composers send to music supervisors, A&Rs, agencies, labels, and journalists. A complete EPK includes a bio, a curated music sample, a video reel, contact information, and links to streaming and social profiles.

How to make an EPK in 15 minutes

  1. Sign up free — no credit card.
  2. Upload your strongest 5-10 tracks.
  3. Add a banner, profile photo, and 2-sentence bio.
  4. Embed your video reel (YouTube or Vimeo).
  5. Add contact info and social links.
  6. Customize your colors and URL slug.
  7. Share the link — email signature, Instagram bio, pitch emails.

What an EPK builder is, in one definition

An EPK builder is a software tool that lets musicians, composers, and bands assemble an electronic press kit as a single hosted page that can be sent to music supervisors, A&R executives, promoters, journalists, and brand partners. The category replaces the email-attached PDF that dominated the industry for two decades with a live page that loads instantly, plays music in the browser, and tracks what the recipient actually looked at.

The shift from PDF to hosted EPK happened for the same reason almost every other pitch document moved off email. Inbox attachments are friction: they take seconds to download, they require the recipient to find an audio player that handles WAV cleanly, and they leave no signal back to the sender about whether the file was ever opened. A live portfolio link solves all three problems in one move. The recipient clicks once, the page loads instantly, the audio previews in the browser without a download, and the sender sees a play event the second it happens.

The modern EPK is not just a press kit. It is the closing surface of a pitch. A music supervisor who likes the cue they hear on the EPK page downloads the WAV, forwards the link to a colleague, or replies to ask about licensing. None of those follow-up actions happen on a PDF. All of them happen on a hosted page that was built around them. Working composers and sync agents who pitch fifty supervisors a month treat the EPK builder as a daily working tool, not as a one-time setup project.

The category includes a wide range of tools, from generic website builders adapted for musicians to specialty music licensing platforms with EPK functionality bundled in. The distinguishing features come down to four things: how the audio actually plays in the browser, whether the page is trackable per-recipient, how cleanly the page handles a working catalog of more than ten tracks, and whether the EPK is one element of a broader pitching workflow or a standalone product.

What goes into a modern EPK

A working EPK in 2026 lives or dies on the first 15 seconds of the recipient's visit. Everything that goes on the page should be optimized for that window: a clear identity (artist or composer name, role, what they do), a strong opening track that previews instantly, and a single visible action the recipient can take next.

The standard elements of a modern EPK are: a bio paragraph that says who you are and what you make in 40 to 80 words; a featured track or playlist that plays the moment the page loads; three to ten additional tracks that show range; a video reel or showreel if the work fits visual media; a press-photo or visual identity that matches the artist's brand; a credits list of notable placements, artists, or productions worked with; and contact information that makes the next step obvious.

The two elements that matter most for sync and licensing EPKs specifically are the catalog organization and the embedded metadata. A supervisor scanning an EPK page wants to filter by tempo, mood, or genre, click play on the first second of a track that fits the brief, and download a clean WAV with title, artist, ISRC, BPM, key, writers, and publishers already embedded. EPK builders that get this right become daily working tools for the composers using them.

The element most working composers underestimate is the bio. Two to three sentences that frame the artist's specific point of view, and the kinds of projects they work on, do more for landing the first pitch reply than a longer bio that tries to cover every credit. A supervisor reading 40 EPKs a day is scanning for fit, not for thoroughness. The shorter, sharper bio wins more replies.

Stop sending PDFs into the void

A modern EPK is a single link, plays music inline, and tells you who is listening. Build yours in 15 minutes — for free.

Build My Free EPK →