I write music for picture. Orchestral when the scene needs weight, electronic when it needs pressure, and quite often both in the same cue.
The catalogue below is pre-cleared and one-stop, so anything you hear can be licensed without a second phone call. If you need something written instead, that is the better half of the job.
Music by James Everett Cole
Late Night Drives
Night Signal — James Everett Cole
Night Watch — James Everett Cole
Lane Change — James Everett Cole
The Interview Room — James Everett Cole
City Lights — James Everett Cole
Synthwave After Dark
Night Signal — James Everett Cole
Prime Time — James Everett Cole
Lane Change — James Everett Cole
Heavy Hitter — James Everett Cole
City Lights — James Everett Cole
Feature Trailer Pull
Iron Horizon — James Everett Cole
Old Magic — James Everett Cole
Heavy Hitter — James Everett Cole
Dust Devil — James Everett Cole
Kingdom Come — James Everett Cole
Nightshift (album)
Cinematic hip-hop and trap for city-set crime and street-level docs. Heavy 808s, live bass, and enough air in the mix to sit under a voiceover.
Neon Grid — James Everett Cole
Night Watch — James Everett Cole
Night Signal — James Everett Cole
The Interview Room — James Everett Cole
Chrome Sunrise (album)
Eighties-facing synth futurism. Juno pads, gated drums and a lot of tape hiss left in deliberately.
Neon Grid — James Everett Cole
Night Signal — James Everett Cole
Lane Change — James Everett Cole
City Lights — James Everett Cole
Sublevel (album)
Darker and slower than Nightshift. Dusty samples, live bass, hats that sit back rather than push.
The Interview Room — James Everett Cole
Surveillance — James Everett Cole
Missing Hours — James Everett Cole
Night Watch — James Everett Cole
This is the music portfolio of James Everett Cole on DropCue, the premium platform composers, songwriters, and music supervisors use to share playlists, build a professional EPK, and pitch their catalog with branded links and per-listener analytics.